The Making of the Glencairn Methuselah Window: Page 53

Back to Introduction
Previous Page | Next Page

Radagonde Panel
March 23 1928
Flesh 41 glass
Color of paint used
4 Mediaeval Black
3 Mediaeval Red
Paint mixed with oxidized turpentine thicker kind until mass was in sticky clots sort of dryish I believe – diluted with ordinary thin turpentine – 2 months thin oxidized turpentine thin added – worked finely.

Olive Texture – mixed with thicker oxidized turpentine I think diluted with a lot of thin 2 months oxidized turpentine coated over unfired tracing – it forms a texture all its own – tracing really ought to be fired before films are put on.

Half tone 8 Mod. Clay Backing. 4 Med. Black 2 Golden
Drag paint on brush mixed with same fat oil over light part of texture flexh to get and added <unclear word> over

Previous Page | Next Page