The Making of the Glencairn Methuselah Window: Page 57
Radagonde Panel March 2 1928
mixed 3 parts Olive texture
To get the little spattered marks with spaces between take a bristle brush and hit on a piece of iron or the palette knife – this eems to keep the tiny marks from getting on the glass
<f.17 brush hit on bit of iron with note to right, “now spatter film of modelling clay over this mixed with a good deal of oxidized turpentine”>
put tone above described around edges in front
spatter a very delicate film on front in light spots after other film is dry.